Directed by: George Miller
When the Oscar nominees were announced I couldn’t believe Mad Max had actually made the list of Best Picture Nominees. Now, after watching the film … I still can’t believe Mad Max made the list of Best Picture Nominees.
Don’t get me wrong, this certainly isn’t one of the worst films I’ve seen. Far from it. It just isn’t at all what I expect from a Best Picture. I honestly had trouble even getting into the film. I remember enjoying the first Mad Max movie way back when, but since then I stopped caring, and I guess that impacted my excitement over this one as well.
As far as story goes, this really didn’t have a lot. That doesn’t mean there wasn’t a plot – there definitely was. It’s just that the story and the world didn’t feel three-dimensional to me. I also found myself thinking that if I hadn’t seen any of the original Mad Max movies (especially the first one) I would have been very confused about all of Max’s flashbacks and hallucinations – even though they’re trying to appeal to a new generation of fans, none of his backstory is really explained in this film. Also, Max isn’t even the star. Honestly, I felt like most of the time he wasn’t even needed. Imperator Furiosa was definitely the main character and star of this film, and she was the only thing about this movie that I felt lived up to the hype.
Despite Furiosa’s awesomeness, I felt like Nux (Nicholas Hoult’s character) was the only really developed character in the film. He’s the only one who really grew and changed over the course of the film. The rest of the characters seemed to be the same people from beginning to end. Aside from Furiosa, Nux was probably the most interesting to me.
Overall, I just don’t feel like the movie lived up to all the hype it received this summer and I just don’t see why it deserves this nomination. Perhaps Miller deserves his nomination, but the film itself, not so much. I’m sure there are many more films much more deserving of the nomination than this one.
Memorable Moment: There was definitely some great cinematography going on, but I feel like most of the really great shots and memorable moments were all the ones we had already seen in the trailers.
1. The Revenant
2. Mad Max: Fury Road
Directed by: Alejandro González Iñárritu
I had a feeling before the Oscar nominations were even announced this film would be a Best Picture nominee. Even so, I wasn’t in a hurry to see it as it seemed much darker and more depressing than I usually like my movies. So I waited, though I was pretty sure I would need to watch it eventually, and I was right. I ended up enlisting my boyfriend to see it with me, as I really didn’t want to see this one alone in case it became too disturbing.
Birdman was possibly my least favorite of last year’s Oscar nominees, but I really appreciated what Iñárritu did with that film. The cinematography and the way the entire movie felt like one long continuous shot was fascinating. So what I was looking forward to most seeing in The Revenant was more of his style of film-making, and I wasn’t disappointed.
The performances were terrific. I remember thinking partway through the film this may finally be the year DiCaprio takes home that trophy, and he would certainly have earned it. This film was brutal, and it couldn’t have been easy to put on this performance. Hardy was great as well, though his category has some pretty stiff competition and I’m not confident in his chances of winning. However, as despicable as his character was, he did a good job with it.
The cinematography was the thing that really blew me away with this film and is what made me really enjoy it. Nearly every shot of the movie was wonderfully composed and there was so much gorgeous scenery. It really was a beautifully shot film. Early on in the film, as the hunting camp comes under attack, some of those camera movements and follows reminded me of what Iñárritu had done with Birdman.
I feel it’s probably unlikely that Iñárritu could win Best Picture and Director two years in a row, which is a shame because this film is so much better than Birdman, but I really do feel like it would deserve at least one of those honors. The Revenant is still not a movie I would watch more than once – it’s absolutely brutal and several scenes are difficult to watch – but I definitely enjoyed it much more than I had expected to.
Memorable Moment: There is one scene that will give you Empire Strikes Back flashbacks, only so much more disturbing.
1. The Revenant
Last Thursday, The Academy announced the nominees for 2016 Academy Awards, which means it is once again time for me to start my annual attempt to view all the Best Picture nominees, and as many of the other films nominated, as possible before Sunday, February 28th.
I love the Oscars. I know there has been a lot of controversy over them the last couple year; I just love movies and love being able to celebrate the films that have made significant achievements this past year. I do hope the nominations will soon start reflecting more diversity, but I also feel like the issue lies much deeper than just the Academy. I think there needs to be more diversity in the films themselves, and which films receive recognition in general. Off the top of my head I can only think of two films featuring African Americans that could have been nominated – Creed and Straight Outta Compton. I’m sure there must be more and I don’t know if this is my own failing for not seeking out more diverse films, or if the entire film industry just needs to put more emphasis in promoting diversity in film and making people aware these films exist. Hopefully next year we’ll see more diversity in the films being promoted for Oscar recognition and then in the nominees themselves.
Several of this year’s nominees took me by surprise. I honestly never expected Mad Max: Fury Road to receive a Best Picture nomination. That was the biggest surprise to me. I haven’t seen it yet, so I honestly can’t judge but it just did not seem at all like the kind of movie the Academy would recognize – though I’m told it’s technical achievements are fantastic. I was also excited to see The Martian nominated, simply because I loved that movie so much (and those of you who read my blog regularly know how much I loved the novel). I wasn’t necessarily expecting it to be nominated, but I can’t say I’m surprised; the movie was extremely well done.
I know very little about the other six nominees. I had been planning to see Room at some point, as I have heard so many good things about the movie. Spotlight has also been on my viewing list for a while, though mostly because I had a feeling it would receive an Oscar nomination. However, the cast is also excellent. I feel like The Big Short may be this years The Wolf of Wall Street (which I really did not enjoy) – not necessarily content-wise (because the two films are vastly different) but just in my overall opinion of the film once I’ve watched, but I could be rushing to judgement.
The Revenant is a film that if it weren’t for the nomination I would probably have very little interest in viewing. It just seems dark and somewhat depressing to me. However, I was pretty sure it was going to be nominated, so I’ve been preparing myself to watch that one. While I wasn’t a big fan of Birdman last year, I did love the way it was filmed and Alejandro González Iñárritu did an excellent job, so I’m looking forward to those technical aspects of The Revenant because I suspect they’ll be the best part.
Bridge of Spies and Brooklyn just seem like the odd children in this pack of nominees. I suspect while each will be a great film, they won’t have the clout to really contend for that Oscar. I suspect Bridge of Spies will be much like Tom Hanks’ last Best Picture nomination, Captain Phillips, an excellent film but not even close to winning, and Brooklyn just kind of snuck in there.
At this point, without seeing all the films, I have a feeling the Best Picture winner will come down to The Revenant, The Big Short, or Spotlight. I can’t narrow it down more than that, and I could be completely wrong. We’ll see on February 28th. Until then, I’m going to enjoy viewing all the films and forming my opinions on who should win.
Last Day! Today’s quote comes from another book I read this summer, which brought back fond memories of my time in Paris last summer. Thanks again to 1booklife for tagging me!
- Thank the person who nominated you.
- Post a quote for three consecutive days.
- Nominate three new bloggers each day.
Tag You’re It:
I’m terrible at tagging people for stuff like this, so my apologies if you’ve already done it (if you have let me know and I’ll check your quotes out!):
Last year was the first year I actually watched all of the Best Picture nominees before the Oscars aired, and I really enjoyed having an opinion on who I thought would take home awards. Not only that, but I was right about most of the awards. This year is much harder though. I think the categories are much tighter, and it’s definitely going to be harder to pick the winners for the major categories. Adding to that, this year the Actress categories are much more spread out, and I haven’t had enough time to see all of those performances. But I will do my best based on what I do know, and then we’ll see who actually wins Sunday night!
I have not seen Wild, so I can’t speak for Laura Dern’s performance, though I do know she’s a great actress. While I love Emma Stone, I don’t really feel that her performance stands out as deserving of this award over the other women in this category. However, I really think this award belongs to Patricia Arquette. I thought she was one of the best performances in Boyhood and one of my favorite parts of the film. I will be really disappointed if this award goes to anyone else.
Best Actor in a Supporting Role
This category is a really hard one to choose from, as all are terrific actors who gave great performances. In my opinion Duvall is probably the only one I’m sure won’t win – not because his performance was lacking in any way, but because I just think the other four have a really high chance of winning and it’s hard to pick a best between them. However, my favorite by far is J.K. Simmons. He was absolutely fantastic in Whiplash. He’s my pick to win, though I think you could also make a really strong argument for any of the others.
Best Actress in a Leading Role
This is another hard category, but this time because I haven’t yet seen three of the five performances being nominated (I hadn’t even heard of Two Days, One Night before the nominations came out). However, I think we can cross Rosamund Pike off the list of likely winners; like with Duvall above, she gave an excellent performance but I think the others are probably more likely candidates. While I loved Felicity Jones in The Theory of Everything and think she’s very deserving of an award, I suspect this one may go to Julianne Moore.
I might as well just start every category off with “This is a really hard one…” because they all are. Again, all the performances in this category were excellent. I’m slightly biased towards Benedict Cumberbatch because I love him, as well as Bradley Cooper (who did give his best performance to date) but I suspect neither will win this one. Steve Carrell gave a fine performance in Foxcatcher, but I just don’t think it’s one that stands up against some of the others in the category. While Birdman wasn’t my favorite of the nominees, Michael Keaton gave a fantastic performance and I think this is his year.
Alejandro G. Iñárritu (Birdman)
Richard Linklater (Boyhood)
Bennett Miller (Foxcatcher)
Wes Anderson (The Grand Budapest Hotel)
Morten Tyldum (The Imitation Game)
I honestly don’t know who is going to win this category and I hesitate to pick one name. I’m pretty sure it’s going to be either Alejandro G. Iñárritu or Richard Linklater because their films felt the most original and innovative of this year’s nominees. I loved the concept and execution of filming over twelve years, to show the actors actually aging and I loved the way Birdman felt like one fluid shot through the whole film – though I suppose that speaks more to the cinematography than directing. If I had to pick one I would go with Linklater here, but I definitely could be wrong.
The Theory of Everything
The Imitation Game
The Grand Budapest Hotel
Last year when I walked out of the theater after seeing 12 Years a Slave I was certain that film deserved to win the Academy Award for Best Picture. I never once doubted that it deserved it, or that it would win. There is no clear front-runner in my mind this year. I know who will likely win based on reviews and other evidence, but I’m not sure any film is a clear winner for me. Whiplash is by far my favorite, and I think it’s one of the best in the category even though I don’t think it will win. And American Sniper stuck in my head longer than any of the other films, but part of that is due to the controversy it raised.
Judging from the evidence I’ve seen so far, I suspect this category will come down to either Boyhood or Birdman. Both were original stories told in unique ways, and even though neither one was a film I particularly loved, I see why they made it into the category. While I easily could be wrong, I am going to pick Boyhood as the winner this year because I think the story and the film itself resonates with a wider audience than Birdman.
So there you have it, my picks for this years Academy Awards. I’ll be tuning in Sunday night to see how many (if any) I chose correctly.
Selma tells the story of Dr. Martin Luther King Jr.’s time in the small Alabama town, and the struggle to get equal voting rights for African Americans following the Civil Rights act.
This film is a hard one to review, because I don’t want to offend anyone and I know the subject of Selma’s nominations is controversial enough since it didn’t receive any acting or directing nominations. I believe this is a powerful film, and an important one. Every person in America should see Selma and be reminded of where we came from, and how we really should be much further along today than we are. We’ve come a long way, but as recent events in Ferguson and elsewhere in the country have proven, we still have a long way to go. Selma does an excellent job of making the figures in the Civil Rights struggle real and human, and the performances every actor gives is outstanding. It really is a great film.
However, I’m not sure it’s a Best Picture. While the writing and the acting were terrific, there were a lot of technical aspects to the film that really bothered me. There were some interesting choices being made for camera angles which worked in some cases but in others just felt like bad composition, or like the actors weren’t making their marks. There were also a lot of scenes where the lighting didn’t seem right at all – I hate when films try to use less lighting for nighttime scenes and it just ends up making it hard to see what’s going on.
In addition to those aspects, the subtitles taken from FBI records were distracting and annoying, at least for me. I understand the point they were trying to make – to highlight the extent of FBI surveillance on Dr. King and his associates – but every time they popped up on screen it took me out of the film entirely. They distracted me from what was going on, instead of enhancing the onscreen action. Perhaps if they had faded to black then put the text up as part of the transition, or just something different it would have worked better.
While I really thought Selma was a good movie, and in many ways I enjoyed it more than Birdman, Grand Budapest Hotel, or Boyhood, I just don’t think it stands up to the rest of the films in the category. While I may not have enjoyed the other three I just mentioned as much as Selma, I do believe they were more creative and original. I feel the same way about American Sniper. Both are good films which I would recommend to anyone, but they don’t really take any chances or stand out from the crowd as far as cinematography goes. Selma was a little more original than American Sniper – and would likely have a better chance at winning than Sniper – but neither one will be taking home that trophy.
Favorite Moment: There was a scene where, after the first attempt to march from Selma to Montgomery ends tragically a young man says he’s had enough and wants to gather up weapons to go back. He is told (by Andrew Young I believe, I never caught the character’s name in the movie, but looked him up on IMDb) that this not the answer, that it will only lead to even more lives lost. The actor playing Young (Andre Holland) delivers that speech so well, it’s possibly the most impressive performance aside from Oyelowo’s performance as Dr. King.
2. The Theory of Everything
3. The Imitation Game
5. American Sniper
8. The Grand Budapest Hotel
Birdman is the story of a man who was once famous for playing a Superhero trying to reclaim some respect and fame 20 years later, while also trying to reconnect with his daughter. I went into the theater with pretty low expectations for this film, because I had a feeling it probably wasn’t going to be my kind of movie, and I was right.
This was a strange movie, with a lot of dark humor. To be honest, while Emma Stone and Edward Norton were great (and I love both of them) I’m not entirely sure what about their performances made them Oscar-worthy. The only scene where Stone showed some range was when she was lashing out at her father, telling him exactly why he was no longer relevant in a modern, social media world.
Michael Keaton, on the other hand, was fantastic. While I may not have been a huge fan of this film on the whole, his performance was terrific. He wonderfully depicted that measured calm that hides the slow descent into insanity. His performance was the one that made this movie worth watching. I also really enjoyed Zach Galifianakis’s character as well. I always like seeing Galifianakis when he’s not playing a completely off-the-wall goofy character. It reminds me of his days on Tru Calling, before I even knew how funny he could be.
The other thing I really loved about this film was the flow. With the exception of the very beginning and the very end, there were no cuts between scenes. It was a constant flow and transition, following characters around the theatre where most of the action was taking place, or some other clever transition that didn’t actually involve a cut to the next scene or location (for example, zooming in on a news broadcast in one location then zooming out on the same broadcast somewhere else). This method really helps set it apart from almost any other film you watch, and it really helped set the atmosphere of the movie. The camera angles and movement made it feel like the viewer was actually there with the cast watching all this taking place – at times you were even in the place of the actors, as the camera became their point of view.
Between this technique and Keaton’s performance I can see why the film was nominated for Best Picture, even if it’s not a film I would normally enjoy.
Favorite Moment: I honestly don’t know if I had a favorite moment, which I feel like I’m saying with a lot of the films this year. The scene where Stone’s character finally lets go and yells at her father was a good scene and well done by both actors.
2. The Theory of Everything
3. The Imitation Game
4. American Sniper
7. The Grand Budapest Hotel